You’re Standing on My Neck: An Analysis of Daria (Part 1)

[This content is repost from an earlier blog.]


Recently, I’ve rediscovered a show from my youth, Daria. I’m still amazed at the wealth the show had to offer and have been thinking about its impact. A marathon viewing of every episode reminded me why I always admired the series while also unearthing a few new observations that I missed before.


Looking back, it still seems revolutionary and unique in its handling of high school life. Though I was surprised at a some things that I incorrectly remembered. For one, I thought the show debuted in the heyday of the Alternative uprising; as MTV’s voice which spoke out against the hollow offerings of shows like Beverly Hills 90210. However, the show actually aired in the tail-end of the 90s and into the early 2000s when MTV had already steered head-first into the squealing mainstream of TRL and Britney Spears. Then again, maybe that helps prove that the show was so special. The Alternative movement was already dying from the inside out from corporate corruption and Teeny Pop was already surging into all facets of media. In effect, Daria was the last of the breed, and MTV’s final gesture of authenticity.

As an outsider, I definitely grew an instant attachment to the show.

What made the show truly original was that it spoke to and about a group of kids that usually wasn’t given much focus in media. If they were portrayed, usually it was in the form of a background weirdo or misfit side-character. In Daria, the spotlight wasn’t on the typical kids who were well-adjusted, popular, and sporty. In fact, the show was a shot across the bow to the “normal” types. They were still the popular ones in class. But now they were the butt of the jokes.

Daria proved that there was an audience that had been untapped. Thus paving the way for future misfit shows like Freaks and Geeks, and the basic acceptance (and celebration) of nerd culture so prevalent today.

Seeing the series again as an older person also highlighted some aspects that may have been more about adults writing for teens. Why were they so into pizza? They were teenagers, not ninja turtles. Yeah I remember liking pizza and it was a treat to eat a slice or two, but it was never the singular dietary obsession.

And the series tended to overlook the sillier aspects of teenage life. It’s a period where we transition out of childhood and there are still remnants of goofiness that permeate in everyday life. Teen viewers probably aspire to how adult the characters were all the time, but I think an occasional sprinkling of pure joyousness once in a while would’ve done the show some good.

Those are minor quibbles though to a show that was supremely adept at getting into the mindset of a person in their teens.

Sick, Sad World

The show probably provided a strong voice for young women, but I think it also spoke well to any teen who felt like an outsider. What helped is that the show handled itself maturely and never pandered or talked down to its audience.

On the surface, Daria seemed to just be about archetypes and jokes about all those archetypes. Quinn was the pretty and popular child, Brittany was the well-endowed, vapid cheerleader, Kevin was the moronic jock, Jane was the artsy alt-girl, and Daria was the isolated brainiac.

While those characters were a fertile playground of jokes, the show was not afraid to tackle serious issues. The Season 1 finale, Misery Chick dealt with the aftermath of a death. The range of confusion and guilt experienced by various characters showed a depth of subtlety that is rarely found in a TV show, let alone a cartoon.

The last two seasons of the show introduced Tom as a romantic element to Jane and eventually Daria. At the time, I decried his addition as a misstep, turning an atypical show into just more trite teeny bopper pandering of girls fighting over boys. But upon a recent viewing of the entire series, it made much more sense. And the Tom story was less pervasive through the show than I recall. There were still plenty of episodes that didn’t deal with him at all.

Storywise, Tom was another way for the show to deal with a heavy issue in the lives of teens and portray the complexity of what happens between friends when love gets in the way. Daria and Jane’s friendship was the bedrock of the series and it was a bold move for the creators to shake that up. It demonstrated that the show was willing to grow along with its audience. Whereas other cartoons and shows are content with the infinite loop of high school life in their universes, Daria evolved past “Hey our classmates are so dumb” and into issues like relationships and what to do with your life as college and adulthood loom on the horizon.

Examples of growth also occurred with Quinn in the movie between seasons 4 and 5. After years of treating boys as disposable playthings, Quinn feels the pangs of infatuation… to a boy with a brain. His eventual rejection makes her take stock of her position and see value her own intelligence.

Stacy was an unlikely instance of growth in the end of the series span. Arguably the most fragile member of the Fashion Club, she eventually rebelled against the group’s ideals by being Upchuck’s magic assistant, and in the movie finale, she was the death knell for the club by standing up to Sandi’s list of demands.

Lest the show be seen as too morally heavy, there were for sure, moments of mockery that the series never strayed from. Kevin was always a buffoon, Sandi was an ice queen, and Jane was always a cool customer.



What’s interesting is that within minutes of the first episode, Daria found a kindred spirit in another student, Jane. I’m sure logistically, the show needed a companion to Daria otherwise there wouldn’t be a whole lot of dialogue for the show. That aside, it was a good sign to us all that even the most alienated person could find someone to relate to.

The amazing thing is that the creators didn’t set out to find an intellectual equal to Daria (that would come later with Jodie) but someone who had a similar personality yet qualities that set her apart. Artsy and cool, Jane was even allowed to venture into un-Daria-esque territory like enjoying a physical activity like jogging. It’s easy to imagine that before Daria transferred to Lawndale, Jane coped quite well on her own.

In Jane, the writers were allowed to play with insecurities that probably wouldn’t be applicable to Daria. Jane in a period of self-doubt actually tried out for the cheerleading squad. In an effort to make money, she momentarily sold-out and flailed creatively.

The Morgendorffers
The Morgendorffers

One of the most important aspects of the show was the family environment. Interestingly, the show kept Daria in a relatively stable household. While certainly dysfunctional, the parents were still together and accessible to their kids.

Jake, the father, was without question a neurotic, hapless dad who had his own father issues. But he never purposely veered away from wanting the best for his wife and kids.

Helen, the workaholic mother would always begin a scene as distracted and disengaged, though eventually had keen insight on what was going on with the girls and usually gave Daria poignant advice on her problems.

Quinn (clever play on “Queen”) was predominantly used as a foil for Daria a majority of the time. Though whenever a drastic upheaval would occur that would shake up her orderly world (ie. the threat of divorce between the parents or the rejection of a boy she actually liked), Quinn would show that she was a loyal and loving sister.

In this light, the show actually portrays a pretty healthy and optimistic view of a modern family. More-so than viewers would expect.

Despite the underlying normality of the family, the series utilized a wealth of humor and story out of the roles of the shallow sister and the out of touch parents. This is where the show’s Anti-Adult policy usually rears its head. The parents, and the teachers, were adults, and Daria was very clear about marking them as The Enemy.

Maybe viewing the episodes as a much older person is giving me a slanted view, but I never recall being a teen and observing grown ups as such opposition. Sure teens go through angst and rebelliousness, but I never recoiled at my parents or any adult who showed genuine care and desire to help me. This was one of the few hard-lined stances in Daria, which is surprising given the amazing sensitivity and insight the show normally had on key issues of youth. Even the few instances when Daria would recognize that her parents were helpful, her gratitude would be uttered in reluctant mumbling. And her parents would react in shocked disbelief.

Perhaps not totally unaware of their maintaining the nuclear family status, the show creators placed Jane’s family in direct opposition to Daria’s. The parents were unresponsive, if they were around at all. Here, the show seemed to take a stance of Nature over Nurture. After all, Jane is just as well-developed as Daria as far as personality and sense of self worth, even without a family like Daria’s. However the show rarely dove into Jane’s family life other than as a joke. I honestly didn’t recall ever seeing her parents’ faces, making them spiritual successors to Charlie Brown’s teachers and parents. But in the 3rd season episode, Lane Miserables, we get a view of the Lane family coming back to the house, and Jane and Trent’s reaction is that they just want them to go away again.

By the way, how amazing is it that one of the Lanes is named Penny?


In Part 2, I hope to focus more on themes of imperfection.

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